Das Loch im Löffel / Interpositionsapparat
“Das Loch im Löffel” (The hole in the spoon) is a multifaceted work that deals with the profession of design. What motivates someone to design something? Where does the drive in the design process come from?
In this theoretical work, the creative space of designers was located in an in-between – a place between disciplinary boundaries. Determined by subjective presuppositions, the in-between becomes both a place and a method. Aesthetic objectivity is always based on the subject, is always disputable and functions as a driving force in design.
The in-between is therefore not only a subjective place, but also functions as a method that creates irritations and enables surprising creative processes. These considerations are reflected in the design of “The hole in the spoon”. The three best-known design magazines in Germany, “Novum”, “Form” and “Design Report”, were used as a carrier for printing the theoretical text. These magazines were taken apart page by page, roughly primed in white and printed with own, theory- and practice-orientated texts.
The covers of the magazines were also overprinted with the title “The hole in the spoon”. The modified pages were then reassembled into a magazine and bound. The medium of the design magazine, a supposed carrier of “objective” opinions on design issues, was critically analysed and synthesised into further content.
The theoretical work “The hole in the spoon” resulted in an installation that made the content of the work tangible.
The installation “Interpositionsapparat” (Interposition apparatus) dealt visually and acoustically with the in-between discussed in the theoretical work and created connections as well as irritations. The audio installation provided a way of experiencing the thematic issues of person, position and individuality. Speakers arranged in a circle played the voices of various designers who verbalised their attitudes and opinions.
The voices of individual designers could only be heard if you went very close to one of the speakers. All voices culminated in the centre of the “Interposition apparatus”, so that only a cacophony of scraps of words and murmurs could be heard. The various designers commented on each other, their voices overlapped and it was impossible to recognise clear positions.
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Image:
Nadja Bülow, Dirk Kurz
Video:
Christian Söder